I don't know the background to this story nor do I know the journalists in question but I stumbled across it in one of my random google/vodka moments.
I have heard of Branston because I have been in journalism long enough to know the players.
But this blog is awesome and truly shows the power of the independent voice.
It's all in the comments and it REALLY does show why newspapers are powers for both good and evil.
People in this blog I salute you.
http://frankbranston.co.uk/wordpress/?p=364
Monday, 3 August 2009
When blogging is awesome
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Friday, 31 July 2009
Journo, 30+ gsoh, ns seeks masochist to share laughs and late nights
I have been single for a long time. Too long.
I often question why, since I have had long term relationships before.
Clearly I have many issues.
Anger, selfishness, a sometimes obnoxious often narcissistic personality, a talent for fibbing, shallowness, a sense of superiority, rudeness and an almost tourettes-like propensity for swearing.
But enough of my good points.
I remember when my last serious girlfriend left me. We owned a house together, had moved a long way from home together and both worked for big newspapers.
Unfortunately she worked in advertising and I worked in news.
Her switchboard closed down at 5.30pm. Our subs started working then and calls and queries would come in thick and fast and continued well after the time I arrived home. Usually at 8.30pm.
When I worked late, late on Friday and was back in the office for a 14 hour day on Saturday she was often surprised when I wanted to do fuck all on Sunday except chill out and watch some TV.
Her complaint was that she was bored all day Saturday because I wasn't there.
My attitude. At least you weren't fucking working.
This bullshit continued for a time until one Tuesday an ominous text appeared - "We need to talk."
Oh fuck, here we go.
It wasn't a surprise she left and after some tears and shouting, that, as they say, was that.
Four years of my life down the shitter.
I look back now and wonder, however, was my work utimately to blame or did I work harder to get out of the relationship?
Who knows. All I know is that it was a period of my life that I was deeply unhappy, in a job I hated, with a girlfriend who didn't make any effort to understand what I did for a living.
She's married now. Good for her. I hope she's fat.
So why am I still single.
I think it's because of nights like these.
Nights where I come home utterly despondent and depressed. Fucked off with my shitty life and my shitty job.
Nights where I finally realise that no matter what I do and how hard I try, management don't care about what we do.
Nights when I think that twenty years in this game have been for nothing.
Nights when I realise that most people see me as the ranty old man crapping on about the past.
Nights when all the shit I have waded through starts catching up and the darkness starts to get harder to suppress.
Why would I want to share all that with anyone I actually liked?
ps Did I mention I like animals?
I often question why, since I have had long term relationships before.
Clearly I have many issues.
Anger, selfishness, a sometimes obnoxious often narcissistic personality, a talent for fibbing, shallowness, a sense of superiority, rudeness and an almost tourettes-like propensity for swearing.
But enough of my good points.
I remember when my last serious girlfriend left me. We owned a house together, had moved a long way from home together and both worked for big newspapers.
Unfortunately she worked in advertising and I worked in news.
Her switchboard closed down at 5.30pm. Our subs started working then and calls and queries would come in thick and fast and continued well after the time I arrived home. Usually at 8.30pm.
When I worked late, late on Friday and was back in the office for a 14 hour day on Saturday she was often surprised when I wanted to do fuck all on Sunday except chill out and watch some TV.
Her complaint was that she was bored all day Saturday because I wasn't there.
My attitude. At least you weren't fucking working.
This bullshit continued for a time until one Tuesday an ominous text appeared - "We need to talk."
Oh fuck, here we go.
It wasn't a surprise she left and after some tears and shouting, that, as they say, was that.
Four years of my life down the shitter.
I look back now and wonder, however, was my work utimately to blame or did I work harder to get out of the relationship?
Who knows. All I know is that it was a period of my life that I was deeply unhappy, in a job I hated, with a girlfriend who didn't make any effort to understand what I did for a living.
She's married now. Good for her. I hope she's fat.
So why am I still single.
I think it's because of nights like these.
Nights where I come home utterly despondent and depressed. Fucked off with my shitty life and my shitty job.
Nights where I finally realise that no matter what I do and how hard I try, management don't care about what we do.
Nights when I think that twenty years in this game have been for nothing.
Nights when I realise that most people see me as the ranty old man crapping on about the past.
Nights when all the shit I have waded through starts catching up and the darkness starts to get harder to suppress.
Why would I want to share all that with anyone I actually liked?
ps Did I mention I like animals?
Thursday, 30 July 2009
Sustainable journalism
I'm all for the spirit of the Blitz in a newsroom.
I love the idea of pulling an all-nighter in the attempt to cover a major story. Everyone's excited. No-one cares about the time or that they had plans that evening. Pizzas and takeaway boxes litter the newsroom and the boss has a case of lager sitting in the fridge. We are all pulling together for the good of the paper to cover that one huge story.
Why does it feel, however, that this attitude, this sense of pride and accomplishment is needed just to bring out a normal edition each week?
Why does each week feel like a Sisyphean Challenge (you know, the rock and hill guy), relying on good will and the fear of getting sacked in a jobless market?
I know it's the same for the reporters, but they have the added disadvantage of earning shit money and facing my wrath when they don't produce the mountain of copy needed to fill our pages.
A lot of talk is made about sustainability.
It's the new buzz word in this eco-conscious era.
Sustainable fishing, farming, rivers and forestry; sustainable buildings, communities, and cities; renewable energy and green technologies.
It's the new black.
So why can't we create sustainable newspapers?
Like deforestation across the globe, the greatest crime in our journalistic world is the systematic culling of reporters from our staff.
We still hear of job losses every week despite the economy apparently bottoming out. These are just the major ones highlighted by the unions.
We all know at least one someone who has been made redundant or just not replaced when they decided to quit the game altogether.
Recruitment freezes and consolidation of desks have been happening for months now.
After reading about other papers in my company and others, I realise I am actually quite lucky to still have three reporters on some of my editions. Albeit mostly trainees.
I hear horror stories from across the country - of one reporter writing everything in a paid for; one editor in charge of three titles with a staff of half; other papers resorting to taking in bought in nationwide features about summer style and holidays with just one or two actual news pages.
One of my editions just started making some bucks after a revamp. It has one reporter who now has to take on three times the workload.
He is a lovely old boy, a true pro, but he is feeling the strain.
When I asked for a trainee (total cost to company about £1,000 a month) so that we could capitalise on this new found stream of dosh, and to take the strain from Al, I was told no way, no cash.
Bullshit. I talk to the reps, and classified, recruitment and property. I make it my business to know what is going on and I know that this paper is now making profit.
So how can this formula be sustainable?
I fear my guy is a few weeks away from melt down, so I have a choice. Nick someone from another title to the detriment of that paper (already at famine-lean staffing levels); drop pages on a weekly basis from the newly profitable paper (alienating our new very keen readers); or take it up the arse until something breaks and management wankers are forced to take action.
Two hundred and fifty quid a week.
Half the price of a half page advertisement - of which there are dozens a week in the title - and this problem disappears.
Fuck me, for the morale boosting properties alone, getting in a new reporter would do wonders across our whole newsroom.
It probably isn't even the same amount of money it costs to pay for the four offices we are still renting at High Street rates after the management recently took the decision to centralise operations into a news hub.
I don't think it is even the amount of cash spent on management's company Mercs or Beemers.
At one function this year they forked out £800 for a table. Managers only. Networking you see. Piss up more like.
Sustainability means to endure, to carry on despite hardships. But all the other examples of sustainability mentioned above require some kind of investment. Some energy with which to endure.
Reporters are the energy of newspapers. They are the driving force behind the product, others sell.
Without a decent, sustainable level of reporters, extinction is inevitable.
I love the idea of pulling an all-nighter in the attempt to cover a major story. Everyone's excited. No-one cares about the time or that they had plans that evening. Pizzas and takeaway boxes litter the newsroom and the boss has a case of lager sitting in the fridge. We are all pulling together for the good of the paper to cover that one huge story.
Why does it feel, however, that this attitude, this sense of pride and accomplishment is needed just to bring out a normal edition each week?
Why does each week feel like a Sisyphean Challenge (you know, the rock and hill guy), relying on good will and the fear of getting sacked in a jobless market?
I know it's the same for the reporters, but they have the added disadvantage of earning shit money and facing my wrath when they don't produce the mountain of copy needed to fill our pages.
A lot of talk is made about sustainability.
It's the new buzz word in this eco-conscious era.
Sustainable fishing, farming, rivers and forestry; sustainable buildings, communities, and cities; renewable energy and green technologies.
It's the new black.
So why can't we create sustainable newspapers?
Like deforestation across the globe, the greatest crime in our journalistic world is the systematic culling of reporters from our staff.
We still hear of job losses every week despite the economy apparently bottoming out. These are just the major ones highlighted by the unions.
We all know at least one someone who has been made redundant or just not replaced when they decided to quit the game altogether.
Recruitment freezes and consolidation of desks have been happening for months now.
After reading about other papers in my company and others, I realise I am actually quite lucky to still have three reporters on some of my editions. Albeit mostly trainees.
I hear horror stories from across the country - of one reporter writing everything in a paid for; one editor in charge of three titles with a staff of half; other papers resorting to taking in bought in nationwide features about summer style and holidays with just one or two actual news pages.
One of my editions just started making some bucks after a revamp. It has one reporter who now has to take on three times the workload.
He is a lovely old boy, a true pro, but he is feeling the strain.
When I asked for a trainee (total cost to company about £1,000 a month) so that we could capitalise on this new found stream of dosh, and to take the strain from Al, I was told no way, no cash.
Bullshit. I talk to the reps, and classified, recruitment and property. I make it my business to know what is going on and I know that this paper is now making profit.
So how can this formula be sustainable?
I fear my guy is a few weeks away from melt down, so I have a choice. Nick someone from another title to the detriment of that paper (already at famine-lean staffing levels); drop pages on a weekly basis from the newly profitable paper (alienating our new very keen readers); or take it up the arse until something breaks and management wankers are forced to take action.
Two hundred and fifty quid a week.
Half the price of a half page advertisement - of which there are dozens a week in the title - and this problem disappears.
Fuck me, for the morale boosting properties alone, getting in a new reporter would do wonders across our whole newsroom.
It probably isn't even the same amount of money it costs to pay for the four offices we are still renting at High Street rates after the management recently took the decision to centralise operations into a news hub.
I don't think it is even the amount of cash spent on management's company Mercs or Beemers.
At one function this year they forked out £800 for a table. Managers only. Networking you see. Piss up more like.
Sustainability means to endure, to carry on despite hardships. But all the other examples of sustainability mentioned above require some kind of investment. Some energy with which to endure.
Reporters are the energy of newspapers. They are the driving force behind the product, others sell.
Without a decent, sustainable level of reporters, extinction is inevitable.
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Spider sense is tingling
I have a niggling feeling I am about to get royally butt-fucked by the management.
Don't get me wrong, they are already slipping me a length every day I come to work and do more than I should to bring out a decent paper with limited resources.
But this time I honestly think this is going to be akin to a full-on management gang-bang.
Over summer revenues drop and pagination decreases. It's natural. Readers, schools and sources go on holiday, politics takes a back seat and advertisers spend less.
This year, due to the 'harsh economic climate', we reduced pagination further and allowed advertising to bend the rules in terms of how much and how many of my key news pages they were allowed to flog.
As a result the papers look shit, have little content and essentially look like every other piece of crap free that publishers use as circulations boosters for their dying paid fors.
We were promised it would only be a short term measure and I accepted by autumn we would be back on track.
As the weeks roll on, and no talk is made of our phoenix-like resurrection, I suspect this is just another management lie.
After all, why would they change a money making formula? Especially after our MD announces that, after all the earlier cuts, our profits are not quite as bad as predicted earlier in the year. In fact in this 'harsh economic climate' they are actually pretty fucking good.
In the management's world of short term decisions that created this long term problem, why would they sacrifice this increase in cash to go back to the bad old days of bringing out decent profit-low editorial pages?
It's a little like owning a stately home that is not making as much money as it did, but is still making a modest profit by just letting visitors in and selling ice creams.
Suddenly, someone has the wheeze of selling off the things that make visitors come to the home in the first place.
A few pieces of antique furniture here, a couple of regal oil paintings there, a chandelier perhaps? Al in the vain hope the visitors don't notice they are actually getting short changed.
Unfortunately for Lord Toffee Nose and his scrabbling for pennies he didn't actually need, the punters vote with their feet and suddenly he is in a real dilemma.
What's the difference with this analogy and that of selling all the space in newspapers?
Ultimately the readers (and yes the key word here is read) know when they are being sold a pup. It doesn't take them long before they don't bother picking the paper up because there is nothing in it.
I smell a spiral of despair here.
I am checking the job pages daily. Come autumn, if my predictions are correct, I am gone.
This rat is getting a new ship before the hole in the side of my current one becomes too large to fill with straw and false promises.
Don't get me wrong, they are already slipping me a length every day I come to work and do more than I should to bring out a decent paper with limited resources.
But this time I honestly think this is going to be akin to a full-on management gang-bang.
Over summer revenues drop and pagination decreases. It's natural. Readers, schools and sources go on holiday, politics takes a back seat and advertisers spend less.
This year, due to the 'harsh economic climate', we reduced pagination further and allowed advertising to bend the rules in terms of how much and how many of my key news pages they were allowed to flog.
As a result the papers look shit, have little content and essentially look like every other piece of crap free that publishers use as circulations boosters for their dying paid fors.
We were promised it would only be a short term measure and I accepted by autumn we would be back on track.
As the weeks roll on, and no talk is made of our phoenix-like resurrection, I suspect this is just another management lie.
After all, why would they change a money making formula? Especially after our MD announces that, after all the earlier cuts, our profits are not quite as bad as predicted earlier in the year. In fact in this 'harsh economic climate' they are actually pretty fucking good.
In the management's world of short term decisions that created this long term problem, why would they sacrifice this increase in cash to go back to the bad old days of bringing out decent profit-low editorial pages?
It's a little like owning a stately home that is not making as much money as it did, but is still making a modest profit by just letting visitors in and selling ice creams.
Suddenly, someone has the wheeze of selling off the things that make visitors come to the home in the first place.
A few pieces of antique furniture here, a couple of regal oil paintings there, a chandelier perhaps? Al in the vain hope the visitors don't notice they are actually getting short changed.
Unfortunately for Lord Toffee Nose and his scrabbling for pennies he didn't actually need, the punters vote with their feet and suddenly he is in a real dilemma.
What's the difference with this analogy and that of selling all the space in newspapers?
Ultimately the readers (and yes the key word here is read) know when they are being sold a pup. It doesn't take them long before they don't bother picking the paper up because there is nothing in it.
I smell a spiral of despair here.
I am checking the job pages daily. Come autumn, if my predictions are correct, I am gone.
This rat is getting a new ship before the hole in the side of my current one becomes too large to fill with straw and false promises.
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Monday, 27 July 2009
Why getting the facts right matters
I think about death a lot. Almost an unhealthy amount. My own death on occasion, but mostly the deaths of others.
About how a businessman can leave home for work without a care in the world and end up in a mortuary slab with a knife in his gut a few hours later; about drunk drivers who smash into cars carrying mums and their babies; about masonry falling from a building on top of a chap as he sips a latte in the cafe below or getting hit by a bus as a teenager sends a text to his mates while crossing the road (which happens more than you think).
We deal with death every day.
Murders, car wrecks, inquests, disease, medical negligence, court cases, law suits, viruses even just obituaries for the great and the (sometimes) good in the local area.
When they come to our attention, the deaths are often sudden, sometimes brutal but always an immense trauma for the families of the victims to deal with.
Combine the loss of a loved one with the attention from the media and you can create a tense, pressurised situation.
We do the door knocks, we gather the tributes and we write the stories. If there is a court case or inquest we cover it but inevitably the stories dry up and we move on
What we write about them in our newspapers is often the last thing recorded about the people who have died.
Many families keep the tribute pieces and news stories as a lasting reminder of those they have lost.
So, for fuck's sake, at least have the decency to spell their names correctly when you come to write the stories.
Check your facts, check the spelling of their names and their ages even if you think you already know.
Jane could be spelt Jayne, how many ts in Matthew, Claire comes in many forms and even Alan has a Scottish variation.
Getting the basics right first time and every time is what maintains not only the reputation of your newspaper but also your own as a decent reporter.
About how a businessman can leave home for work without a care in the world and end up in a mortuary slab with a knife in his gut a few hours later; about drunk drivers who smash into cars carrying mums and their babies; about masonry falling from a building on top of a chap as he sips a latte in the cafe below or getting hit by a bus as a teenager sends a text to his mates while crossing the road (which happens more than you think).
We deal with death every day.
Murders, car wrecks, inquests, disease, medical negligence, court cases, law suits, viruses even just obituaries for the great and the (sometimes) good in the local area.
When they come to our attention, the deaths are often sudden, sometimes brutal but always an immense trauma for the families of the victims to deal with.
Combine the loss of a loved one with the attention from the media and you can create a tense, pressurised situation.
We do the door knocks, we gather the tributes and we write the stories. If there is a court case or inquest we cover it but inevitably the stories dry up and we move on
What we write about them in our newspapers is often the last thing recorded about the people who have died.
Many families keep the tribute pieces and news stories as a lasting reminder of those they have lost.
So, for fuck's sake, at least have the decency to spell their names correctly when you come to write the stories.
Check your facts, check the spelling of their names and their ages even if you think you already know.
Jane could be spelt Jayne, how many ts in Matthew, Claire comes in many forms and even Alan has a Scottish variation.
Getting the basics right first time and every time is what maintains not only the reputation of your newspaper but also your own as a decent reporter.
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Tuesday, 21 July 2009
The great swine flu swindle
We are either on the brink of extinction or all about to get a bit of a cold.
Swine flu intrigues me from a journalistic point of view.
Firstly, as a moderately fit and healthy, youngish man, I comfortably predict a bout of piggy cough will not kill me. So I clearly write this with a sense of smug satisfaction.
Swine flu fears have been in the news for months ever since a few Mexicans died from it.
Initially reports from Mexico had well over 150 dead in a few weeks of the discovery of the new strain.
Was this going to be the pandemic every national newspaper had been waiting for to take Jade Goody off the front page? Oh yes.
The word 'deadly' was attached to this pork-crackling of a cold and the world's end was comfortably predicted.
When reality bit and the actual death toll in Mexico - already renowned for its excellent health service - was revealed to be a more modest 17, who really cared?
By this time the snouty sniffle was already in Blighty.
Aaaagh the headlines screamed. We are all going to die!
Since the porcine version of the bubonic plague has been among us, 30 people have actually died. Most had 'underlying health problems' - a seemingly terminal diagnosis these days - and so the healthiest among us breathed a smallish sigh of relief.
However, when a GP and a young girl died without the prior sickness issues we were all vulnerable again.
Headlines declared us all dead. No hope for humanity, isolate yourself and keep away from the unclean lest you succumb!!
The doc, in reality, also suffered from heart disease and high blood pressure, and had viral pneumonia.
Today, we discover the young girl died from a septic shock complication due to tonsillitis.
The health authorities still do not know how many of the 30 deaths attributed to swine flu actually died from swine flu.
Normal, common or garden, get-it-once-a-year influenza kills 30,000 a year in this country.
So far swine flu has killed far less than it should. Even if it kills the predicted 65,000 that is still less than 0.1 per cent of the population.
Heart disease, is the UK's biggest killer. Based on 2005 data, there are some 227,000 heart attacks each year. More than 150,000 deaths. Do we close chippies or ban fat people from pizza restaurants. No. Are we surprised when unhealthy people die of a heart attack. No. Do we report every coronary episode. No.
So why are we all reporting on each pig flu case like it is the first time anyone caught a cold?
I don't often wear a tin foil hat, and most conspiracies are dismissed with contempt, but the stories being told around the country by every newspaper are fulfilling a great Governmental service.
Keep the state in fear and they won't ask any awkward questions about recessions, expenses, bad leadership etc.
Let's try to get this 'pandemic' into perspective.
Swine flu is a bad cold.
When the radio and television advertisements are suggesting the best cure is stay at home and take a Lemsip, you can rest assured it isn't as fatal as the newspapers are making out.
Swine flu intrigues me from a journalistic point of view.
Firstly, as a moderately fit and healthy, youngish man, I comfortably predict a bout of piggy cough will not kill me. So I clearly write this with a sense of smug satisfaction.
Swine flu fears have been in the news for months ever since a few Mexicans died from it.
Initially reports from Mexico had well over 150 dead in a few weeks of the discovery of the new strain.
Was this going to be the pandemic every national newspaper had been waiting for to take Jade Goody off the front page? Oh yes.
The word 'deadly' was attached to this pork-crackling of a cold and the world's end was comfortably predicted.
When reality bit and the actual death toll in Mexico - already renowned for its excellent health service - was revealed to be a more modest 17, who really cared?
By this time the snouty sniffle was already in Blighty.
Aaaagh the headlines screamed. We are all going to die!
Since the porcine version of the bubonic plague has been among us, 30 people have actually died. Most had 'underlying health problems' - a seemingly terminal diagnosis these days - and so the healthiest among us breathed a smallish sigh of relief.
However, when a GP and a young girl died without the prior sickness issues we were all vulnerable again.
Headlines declared us all dead. No hope for humanity, isolate yourself and keep away from the unclean lest you succumb!!
The doc, in reality, also suffered from heart disease and high blood pressure, and had viral pneumonia.
Today, we discover the young girl died from a septic shock complication due to tonsillitis.
The health authorities still do not know how many of the 30 deaths attributed to swine flu actually died from swine flu.
Normal, common or garden, get-it-once-a-year influenza kills 30,000 a year in this country.
So far swine flu has killed far less than it should. Even if it kills the predicted 65,000 that is still less than 0.1 per cent of the population.
Heart disease, is the UK's biggest killer. Based on 2005 data, there are some 227,000 heart attacks each year. More than 150,000 deaths. Do we close chippies or ban fat people from pizza restaurants. No. Are we surprised when unhealthy people die of a heart attack. No. Do we report every coronary episode. No.
So why are we all reporting on each pig flu case like it is the first time anyone caught a cold?
I don't often wear a tin foil hat, and most conspiracies are dismissed with contempt, but the stories being told around the country by every newspaper are fulfilling a great Governmental service.
Keep the state in fear and they won't ask any awkward questions about recessions, expenses, bad leadership etc.
Let's try to get this 'pandemic' into perspective.
Swine flu is a bad cold.
When the radio and television advertisements are suggesting the best cure is stay at home and take a Lemsip, you can rest assured it isn't as fatal as the newspapers are making out.
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Flim flammery
One of the biggest crimes in journalism is spinning a shit story into a headline grabbing story, in my humble opinion.
An even greater crime is to spin an already good story, in an attempt to make it better.
The first thing I teach my chaps (and chapesses) is to be honest in what you are writing. If the story isn't what you first thought, see if there is anything worth salvaging for a filler or nib, then walk away.
If you feel the need to spin a story then surely it's not that good a story in the first place. A great story tells itself.
It's too easy to fib a little to make the busted flush into a lead or, with an extra level of deceit, a splash.
But these stories will create journalists, editors and the paper so many problems, both short term and long ,they are very rarely worth the initial lies to get them into the news list.
Short term you are open to, at worst claims of defamation or PCC complaints, at best a snotty call to the editor who is forced to write a clarification, correction or, god forbid, a bloody apology.
Long term, your paper and staff lose all credibility. The trust of your readers is a hard won thing and all too easy to lose.
Recently I went away for a week to come back to the mother of all splash headlines. It wasn't technically wrong but it did give the wrong impression of what the story was about.
We had a serious PR problem that week (caused by my boss, so no heads rolled). As soon as I saw the level of vitriol towards us for what we had done, I apologised in an editorial with a front page trail.
It was the right thing to do but it didn't have to happen. The story was good enough without the extra splash of sauce my boss had added.
My rules are be fair and accurate and balanced.
If the quote you get from the council/cops doesn't fit the story question your original source. It may be that they or the press office are fibbing. It's your job to determine who is the bullshit merchant.
Get evidence. Documents, letters, emails or confessions written in blood. Make sure they are real. With these it is easy to see who is telling the truth.
Don't lie to your boss. It's easy to give the right answers in order to get your story into the paper but I would rather stop any problems getting in there in the first place.
I am far harder on a reporter who is rumbled for porkies after we have gone to press than I would be if they admit it's bollocks earlier on.
I don't mind reporters telling me they don't know, because I know they can find out. I hate to hear the words 'I think', 'I assume' or 'I'm 90 per cent sure' before a sentence.
Assumptions and thoughts are great for philosophers, beatniks and hippies. But we deal in facts. Hard, cold and impossible to challenge.
I know it's tempting to think you will be the one who won't get rumbled, but eventually you will.
I remember the tale of the reporter in Scotland who didn't want to travel down to the Borders at night on a doorknocking job (about 100 miles away). So he told the desk a couple of hours after being dispatched that no-one was in. Easy.
Except for the fact a snapper also dispatched by the desk found the house firmly ablaze half an hour later.
Another guy I knew made up stories to get at the top of the news list. He would be king of the conference and bullshit his way through the week until miraculously his brilliant exclusive evaporated into thin air.
He was only rumbled when, on one particularly tense Christmas Eve, the boss really needed his 'top tale' as the rest of the news list crumbled before him.
Editor demanded to meet the reporters source to crowbar the story out of him and after about half an hour of strong debate, the bullshitting hack admitted his lies.
His Christmas present was a P45.
The best I save until last. One hack was so desperate to see his name on the front page of his local rag he would sneak into his office in the dead of night on the deadline eve and spike the other reporters tales.
I shit you not.
Because of the way things worked, his tales would be the only ones ready for the tight morning deadlines and the splash was his.
After a few weeks of this nonsense the news editor and the hard-working reporter who had the majority of their stories binned hid in the office and discovered him at it.
Be fair, be accurate, be balanced. The only complaint they can have is they don't like the story.
Then you truly can tell them to go and fuck themselves.
An even greater crime is to spin an already good story, in an attempt to make it better.
The first thing I teach my chaps (and chapesses) is to be honest in what you are writing. If the story isn't what you first thought, see if there is anything worth salvaging for a filler or nib, then walk away.
If you feel the need to spin a story then surely it's not that good a story in the first place. A great story tells itself.
It's too easy to fib a little to make the busted flush into a lead or, with an extra level of deceit, a splash.
But these stories will create journalists, editors and the paper so many problems, both short term and long ,they are very rarely worth the initial lies to get them into the news list.
Short term you are open to, at worst claims of defamation or PCC complaints, at best a snotty call to the editor who is forced to write a clarification, correction or, god forbid, a bloody apology.
Long term, your paper and staff lose all credibility. The trust of your readers is a hard won thing and all too easy to lose.
Recently I went away for a week to come back to the mother of all splash headlines. It wasn't technically wrong but it did give the wrong impression of what the story was about.
We had a serious PR problem that week (caused by my boss, so no heads rolled). As soon as I saw the level of vitriol towards us for what we had done, I apologised in an editorial with a front page trail.
It was the right thing to do but it didn't have to happen. The story was good enough without the extra splash of sauce my boss had added.
My rules are be fair and accurate and balanced.
If the quote you get from the council/cops doesn't fit the story question your original source. It may be that they or the press office are fibbing. It's your job to determine who is the bullshit merchant.
Get evidence. Documents, letters, emails or confessions written in blood. Make sure they are real. With these it is easy to see who is telling the truth.
Don't lie to your boss. It's easy to give the right answers in order to get your story into the paper but I would rather stop any problems getting in there in the first place.
I am far harder on a reporter who is rumbled for porkies after we have gone to press than I would be if they admit it's bollocks earlier on.
I don't mind reporters telling me they don't know, because I know they can find out. I hate to hear the words 'I think', 'I assume' or 'I'm 90 per cent sure' before a sentence.
Assumptions and thoughts are great for philosophers, beatniks and hippies. But we deal in facts. Hard, cold and impossible to challenge.
I know it's tempting to think you will be the one who won't get rumbled, but eventually you will.
I remember the tale of the reporter in Scotland who didn't want to travel down to the Borders at night on a doorknocking job (about 100 miles away). So he told the desk a couple of hours after being dispatched that no-one was in. Easy.
Except for the fact a snapper also dispatched by the desk found the house firmly ablaze half an hour later.
Another guy I knew made up stories to get at the top of the news list. He would be king of the conference and bullshit his way through the week until miraculously his brilliant exclusive evaporated into thin air.
He was only rumbled when, on one particularly tense Christmas Eve, the boss really needed his 'top tale' as the rest of the news list crumbled before him.
Editor demanded to meet the reporters source to crowbar the story out of him and after about half an hour of strong debate, the bullshitting hack admitted his lies.
His Christmas present was a P45.
The best I save until last. One hack was so desperate to see his name on the front page of his local rag he would sneak into his office in the dead of night on the deadline eve and spike the other reporters tales.
I shit you not.
Because of the way things worked, his tales would be the only ones ready for the tight morning deadlines and the splash was his.
After a few weeks of this nonsense the news editor and the hard-working reporter who had the majority of their stories binned hid in the office and discovered him at it.
Be fair, be accurate, be balanced. The only complaint they can have is they don't like the story.
Then you truly can tell them to go and fuck themselves.
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